Works

For 2 electric Guitars, Violin, Flute and 4 portable speakers.

your eyes, as honey serves as a questioning of experienced temporality. It imposes droning, sparse textures that are stretched and manipulated so they gradually move between electronic parts and the live instrumentalists. The piece uses four performers and four portable speakers, all dispersed throughout the performance space to create an immersive experience for audience and performer alike in order to exacerbate this feeling of ambiguous temporality.
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Premier: Leeds Composers Collective - April 2025, Wharf Chambers

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For Mixed Ensemble-
- 4 flutes (including alto flute)
- Clarinet
- Bass clarinet
- Euphonium
- 2 Violins
- Percussion
- Piano
- Fixed field recording

a shadow displaced, for our wanderings is an exploration of fragility and temporality through fragile, breaking sounds and breath cycles in the wind section. It is paired with a static, unmanipulated field recording of Tunstall Forest which serves as a platform the rest of the sounds are constructed around. These sounds are often displayed as one comfortable breath in length, which serves as an indeterminate action series creating unpredictable unstable chords that slowly move until blocked by a sudden movement in the piano or percussion.

Premier: LsTWO - May 2025, University of Leeds Concert Series

For Piano Trio-
- Cello
- Flute
- Piano

This is the Hour of Lead is based on the Emily Dickenson Poem After Great Pain, A Formal Feeling Comes. It is an exploration of dying sounds, questioning what occurs when sounds are invited to decay in different ways.

Premier: Marsyas Trio - November 2024, University of Leeds Concert Series

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For 4-16 instruments or voices that use breath.

What Ecstacy is in thy breath, is a study of breath cycle. It serves as a personal investigation into the boundaries of using breath cycles focussing on comfortable breath and how chord lengths differ over an extended period of time. It's harmonies are gathered from three juxtaposing field recording environments in Suffolk (Waldringfield, Sutton Heath, and Tunstall Forest)  and the interval proximity gradually expands between each of the three cycles.

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